Fracture...

... is a good battle of wits, with some excellent acting by Anthony Hopkins.

What’s the story? Ted Crawford (Anthony Hopkins) is an engineer, who discovers that his wife is having an affair with another man. Unable to stomach it, he shoots her in the head, and when the police come, he confesses to his crime, and is whisked off to prison while his wife is rushed to a hospital, where she slips into a coma.

Willy Beachum (Ryan Gosling) is a highly successful prosecutor for the government, and is on the verge of getting into a private law-firm, when he is asked to take up this case. With the confidence of his 97% conviction rate, and the strength of a verbal confession, Willy decides to wrap this up before his exit from the government office.

But when he is brought to court, Ted pleads not guilty, and says his confession was forced as the officer who took the confession was the one who was having an affair with his wife, and that his life was at risk had he not confessed. Willy is unaware of this, and having come grossly unprepared, he is shattered to the core. He is left with no more evidence to produce, and his job at the private firm is in danger if he loses this case. Following this, Ted moves for acquittal, as there is no evidence against him, and the murder weapon is not found. The acquittal is granted, and while Ted walks, Willy is flabbergasted by this old man shoving defeat into his illustrious career.

With the newspapers making a joke of his famous loss, and his private job offer retracted, Willy becomes obsessed with the case. He jumps headlong into a search for the murder weapon – thinking hard on where it was hidden, especially when the police had searched the house soon after the crime. Meanwhile, Ted authorises the hospital to pull the plug on his wife, as her condition was not getting any better. A final brainwave occurs to Willy as he realises, in horror, the thorough planning of the crime. A brilliant confrontation makes for the climax.

What’s good in it?
Anthony Hopkins shines through, coming across splendidly as an eccentric old man, who plans out everything. He is lovably irreverent – scrawling NO on legal documents and drawing structural sketches on a notepad when the trial is going on. Ryan Gosling’s acting however, is a tad overdone. The rest of the characters do justice to their roles, their relevance being mediocre to plot or performance. The plot is tight, and the movie moves ahead slickly except for some parts where you wait for the family conversations to end so that the courtroom drama may begin.